diff options
Diffstat (limited to 'Documentation/sound')
| -rw-r--r-- | Documentation/sound/alsa/README.maya44 | 2 | ||||
| -rw-r--r-- | Documentation/sound/alsa/compress_offload.txt | 4 |
2 files changed, 3 insertions, 3 deletions
diff --git a/Documentation/sound/alsa/README.maya44 b/Documentation/sound/alsa/README.maya44 index 0e41576fa13e..67b2ea1cc31d 100644 --- a/Documentation/sound/alsa/README.maya44 +++ b/Documentation/sound/alsa/README.maya44 @@ -120,7 +120,7 @@ Mic Phantom+48V: switch for +48V phantom power for electrostatic microphones on Make sure this is not turned on while any other source is connected to input 1/2. It might damage the source and/or the maya44 card. -Mic/Line input: if switch is is on, input jack 1/2 is microphone input (mono), otherwise line input (stereo). +Mic/Line input: if switch is on, input jack 1/2 is microphone input (mono), otherwise line input (stereo). Bypass: analogue bypass from ADC input to output for channel 1+2. Same as "Monitor" in the windows driver. Bypass 1: same for channel 3+4. diff --git a/Documentation/sound/alsa/compress_offload.txt b/Documentation/sound/alsa/compress_offload.txt index 0bcc55155911..fd74ff26376e 100644 --- a/Documentation/sound/alsa/compress_offload.txt +++ b/Documentation/sound/alsa/compress_offload.txt @@ -73,7 +73,7 @@ The main requirements are: Design -The new API shares a number of concepts with with the PCM API for flow +The new API shares a number of concepts with the PCM API for flow control. Start, pause, resume, drain and stop commands have the same semantics no matter what the content is. @@ -130,7 +130,7 @@ the settings should remain the exception. The timestamp becomes a multiple field structure. It lists the number of bytes transferred, the number of samples processed and the number of samples rendered/grabbed. All these values can be used to determine -the avarage bitrate, figure out if the ring buffer needs to be +the average bitrate, figure out if the ring buffer needs to be refilled or the delay due to decoding/encoding/io on the DSP. Note that the list of codecs/profiles/modes was derived from the |